Category: Movies
How note-perfect casting changed the direction of the MCU and led us to Avengers: Endgame
Once upon a time, Kevin Feige figured Marvel could just recast their biggest heroes.
Better Late Than Never: Rosemary's Baby
Bob takes a first look at a horror classic he's somehow never watched before.
Van Dammage Report: The Expendables 2
JCVD hams it up as the villain in Sylvester Stallone's action sequel.
Movie review: Captain Marvel
Marvel finally gives us a female-led superhero film but forgot to include that MCU magic.
When is a movie no longer a movie?
Spielberg sets off an Internet firestorm. Stew jumps into the flames.
Van Dammage Report: Assassination Games
The one where Jean-Claude apparently had a heart attack during filming.
Movie review: Glass
It didn't take long to get to 2019's first big disappointment.
Movie review: Aquaman
Down but not out, the DCEU just keeps swimming.
Movie review: Spider-Man: Into the Spider-Verse
Tim swings into the Spider-Verse and likes what he sees.
Movie review: Widows
Steve McQueen's women-led heist movie is too heavy for its own good.
Killin' Nat-sees: Seven movies (and one TV show) that punish fascists
Maybe the most feel-good movie list we'll publish this year.
Thirty years of They Live, or: How John Carpenter made me a liberal
Mike has come here to chew bubble gum and commemorate a still relevant classic.
Movie review: Suspiria (2018)
The remake of Dario Argento's classic gets enough right to avoid sacrilege.
Then and Now: Revisiting Halloween H20: Twenty Years Later
Yeah, the new Halloween is great, but what about the last time they tried this?
Movie review: The Night Comes for Us
Netflix's newest actioner is a visceral bloodbath.
Movie review: Halloween (2018)
Some unexpected filmmakers give us one of the best slasher sequels ever made.
Retro cult review: Halloween 4: The Return of Michael Myers (1988)
The Shape returns, but John Carpenter doesn't.
Movie review: Dragged Across Concrete
The buddy cop movie from hell. Which is a compliment.
Movie review: Bad Times at the El Royale
Drew Goddard and company turn the noir dial up to 11.
The Predator's depiction of Asperger's syndrome is a regressive, ill-conceived catastrophe
A writer on the autistic spectrum airs his frustration.